12,000-Year-Old Massive Underground Tunnels Are Real And Stretch From Scotland To Turkey
Mysterious tunnels have been discovered in Scotland that stretch all the way to Turkey, however, researchers are still unsure of why or how they were created. What makes them all the more mysterious, is how absolutely amazing they are, and ho meticulously hey were created.
These thousands of Stone Aged underground tunnels have left scientists completely perplexed. Dr. Henrich Kusch explained in his book entitled ‘Secrets of the Underground Door to an Ancient World’ that the tunnels had been dug under literally hundreds of Neolithic settlements throughout Europe.
The mere fact that they have survived for over 12,000 years proves that the original tunnels must have been all the more massive.
He further believes that the tunnels were to be used as highways, which allowed people to travel to distant places across Europe.
He explains that ‘Across Europe, there were thousands of these tunnels – from the north in Scotland down to the Mediterranean.
They are interspersed with nooks, at some places, it’s larger, and there is seating, or storage chambers and rooms. They do not all link up but taken together it is a massive underground network.’
‘In Bavaria in Germany alone we have found 700metres of these underground tunnel networks. In Styria in Austria we have found 350metres,’ he said.
‘Across Europe, there were thousands of them – from the north in Scotland down to the Mediterranean.
‘Most are not much larger than big wormholes – just 70cm wide – just wide enough for a person to wriggle along but nothing else.
‘They are interspersed with nooks, at some places it’s larger and there is seating, or storage chambers and rooms.
‘They do not all link up but taken together it is a massive underground network.’
While many have described the tunnels as ancient highways, others have explained that they were a method for protecting men from predators. In his book, Dr. Henrich explains that churches were often built by the entrances to the tunnels because the Church was afraid of the heathen legacy that the tunnels may have represented and wanted to stop their influence.
Other, similar tunnels have been discovered on other continents. And even throughout the Americas, a number of ancient tunnels have been found.
However, the big question is why were these passages constructed? Furthermore, how were they constructed? While there are a number of legends regarding them, researchers have yet to discover any solid answers.
Farmer Stumbles Onto Egyptian Pharaoh’s 2,600-Year-Old Stone Slab
A farmer in northeastern Egypt was preparing his land for crop planting when he discovered an intricately carved sandstone slab that appears to have been installed by the pharaoh Apries 2,600 years ago.
Archaeologists are working to decipher the slab’s 15 lines of hieroglyphs.
The standing stone—also known as a stele, or stela—measures 91 inches long and 41 inches wide. It features a carving of a winged sun disk and a cartouche, or oval enclosing Egyptian hieroglyphs, representing Apries, reports Owen Jarus .
Per Encyclopedia Britannica, stelae were used across the ancient world as tombstones or symbols of “dedication, commemoration and demarcation.”
After the farmer who found the slab reported it to government authorities, the director of the Ismailia Antiquities District and other archaeological experts confirmed its authenticity.
Mostafa Waziri, secretary general of the country’s Ministry of Tourism and Antiquities, says in a statement that the artifact appears to be connected to a military campaign the pharaoh was waging east of Egypt. The slab includes 15 lines of hieroglyphs that experts are now working to translate.
As the Jerusalem Post’s Aaron Reich writes, Apries was also known as Wahibre Haaibre, or, in Hebrew, Hophra. He was the fourth ruler of the 26th dynasty, reigning from about 589 to 570 B.C.
Apries unsuccessfully tried to help King Zedekiah of Judah ward off an invasion by Nebuchadrezzar II of Babylon. According to Encyclopedia Britannica, the pharaoh welcomed Jewish refugees into Egypt after Jerusalem fell to the Babylonians.
The campaign mentioned may refer to the fighting in Jerusalem or separate a civil war in Egypt. The ancient Greek historian Herodotus described a coup against Apries in which a general named Amasis was declared pharaoh and Apries made a failed attempt to regain power.
Only a few artifacts, such as this fragment of a statue, offer clues about King Apries.
Apries’ rule took place during what’s known as Egypt’s Late Period (roughly 664 to 332 B.C.), around 2,000 years after the construction of the Pyramids of Giza and more than 200 years before Alexander the Great’s arrival in the region.
As Mustafa Marie reports for Egypt Today, much of what historians know about Apries comes from Herodotus and the Torah, as only a few artifacts from his rule have been found in Lower Egypt.
The Metropolitan Museum of Art notes that images of 26th dynasty kings are rare, but one known fragment of a statue probably depicts the enigmatic pharoah.
Archaeologists also attribute a structure in the ancient capital city of Memphis, where a gateway was decorated with scenes depicting the Festival of the White Hippopotamus, to Apries.
Thanks to the recent discovery of hundreds of coffins at the ancient site of Saqqara, researchers are now learning more about Late Period Egypt.
As Jo Marchant reports in Smithsonian magazine’s July/August cover story, many of the sarcophagi bear signs of animal cults that thrived during the Late Period, perhaps because they were seen as a symbol of national identity in the face of foreign threats.
Saqqara—the subject of “Tomb Hunters,” a new documentary series from the Smithsonian Channel—was not just a local cemetery, but a pilgrimage site that drew visitors from across the eastern Mediterranean.
“Saqqara would have been the place to be seen dead in,” Campbell Price, a curator at the Manchester Museum in England, tells Smithsonian. “It had this numinous, divine energy that would help you get into the afterlife.”
“Nationally Significant” Bronze Age Treasure Sword Discovered in Scotland
The Bronze Age has been unearthed in Scotland. The land of Scots is famous for plenty of things – bagpipes, haggis, and some pretty fine whisky. But coming upon a cache of 3,000 year old antiquities? Not so much.
Big Bronze Age discoveries in Scotland
But that’s precisely what happened not long ago when 44 year old Mariusz Stepien went out into a field with a metal detector, on the hunt for perhaps some old coins or a bit of 20th century jewelry.
Much to his surprise, his device began vibrating and signalling him that something big was not far underground. Sure enough, when Stepien began digging, he came upon a treasure trove of antiquities that are about 3,000 years old, from the Bronze Age.
He knew better than to gather up the finds himself, and instead called in experts from Scotland’s Crown Office Treasure Trove Unit. Emily Freeman, the head archaeologist with the unit who went to investigate the find, recently told the BBC, “it’s a nationally significant find.”
Pieces of an ancient horse harness found
After spending 22 days digging deep with the archaeologists, Stepien and the group found a sword still in its scabbard, chariot wheel axle caps, and an entire horse harness, along with a decorative rattle pendant that would have been placed on the harness, the only one like it ever found in Scotland.
Freeman enthused, “so few hoards have been excavated in Scotland,” she explained to the BBC, “(that) it was an amazing opportunity for us not only to recover Bronze Age artifacts, but organic material as well.”
It was that very organic material, she went on, that enabled artifacts made of leather and wood to even stay preserved all these centuries.
As for Stepien – he is extremely pleased that his hobby has turned up such a significant find. “I was over the moon,” he said in an interview, “actually shaking with happiness…I’ve just discovered a big part of Scottish history.”
What happens to the artifacts now? According to Freeman, they must all be thoroughly cleaned, catalogued and examined to learn why they ended up in this spot near Peeples.
The question for experts now is, why was this collection placed in this particular spot near Peeples? That is going to take a lot of detective work, but Freeman is thrilled to have the chance to investigate.
Bronze Age Nordic sword (not the one found).
Right now, the experts suggest the sword dates back between 1,000 B.C. And 900 B.C. Other items need to be more thoroughly examined before dates can be affixed.
The Bronze Age is a period when man was quickly learning how to produce bronze and, more importantly, how to use it to make tools, weapons and other valuable items. Before it was the Stone Age; after it came the Iron Age.
In Britain, experts say the Bronze Age commenced about 2000 B.C., and lasted until around 750 B.C. Of course Scotland, England and other places that comprise the United Kingdom go back thousands of years, and plenty of history remains yet to be discovered under the soil in all those countries.
Archaeologists in Italy Unearth Marble Bust of Rome’s First Emperor, Augustus
Last week, construction workers conducting renovations in Isernia, a town in south-central Italy, unearthed a long-lost portrait of an ancient ruler: namely, a weathered marble head that dates to the days of the Roman Empire.
A view of the marble head discovered last week in Isernia, a town in south-central Italy
Researchers suspect that the marble figure depicts Augustus, who ruled as the first Roman emperor from 27 B.C. to until his death in 14 A.D. The adoptive son of Julius Caesar, Augustus oversaw a period of immense colonization and imperial growth.
Besides a badly damaged nose—and the loss of the rest of its body—the head has remained relatively intact, according to a statement released on Facebook by the local government’s archaeology department.
Scholars discovered the head while renovating Isernia’s historic city walls, parts of which were constructed under imperial Rome, reports Italian news agency ANSA.
As local news station isNews notes, the walls collapsed during previous excavation work; efforts to rebuild them have proven controversial in the small town.
Speaking with isNews, superintendent Dora Catalano and archaeologist Maria Diletta Colombo, both of whom are overseeing the new project, said that some locals had proposed supporting the historic walls with concrete pillars.
“We highlighted that the solution was not feasible, not in the least because the piling would have risked destroying the foundation of the walls and any traces of ancient presence in the area,” the pair explained, per Google Translate.
The side profile of the marble head discovered during excavations near the city walls of Isernia, a town in south-central Italy with a history of occupation by Roman forces
Construction workers happened upon this marble head while excavating and restoring a historic city wall in a small southern Italian town.
Instead, the archaeologists—who began work on March 30—are striving to restore the walls in a way that strengthens their structural integrity while preserving their cultural heritage.
“Yes, it is really him, the emperor Augustus, found today during the excavation,” writes the Archaeological Superintendency of Molise in the statement, per a translation by ARTNews’ Claire Selvin. “Because behind the walls of a city [lies] its history, which cannot be pierced with a concrete [pillar].”
Per a separate report from isNews, Mayor Giacomo D’Apollonio announced that the rare artifact will remain in Isernia and eventually go on display in the nearby Museum of Santa Maria Delle Monache.
The find testifies to the Romans’ presence in the ancient colony of Isernia, then known as Aesernia. Throughout the first century B.C., neighboring powers in Italy fought for control of the small town, which was strategically located as a “gateway” for expansion into the peninsula, writes Barbara Fino for local newspaper Il Giornale del Molise.
Roman forces first captured Isernia around 295 B.C. Its previous occupants, the Samnites, a group of powerful tribes from the mountainous south-central Apennine region, retook the city in 90 B.C. after a prolonged siege.
As John Rickard notes for Historyofwar.org, the siege took place during the Social War, a three-year clash between the Roman Republic and its longtime allies, who wanted to be recognized as Roman citizens.
An ancient wall in the town of Isernia
“Most insurrections are people trying to break away from some power—the Confederacy tries to break away from the United States, the American colonies try to break away from the British—and the weird thing about the Social War is the Italians are trying to fight their way into the Roman system,” Mike Duncan, author of The Storm Before the Storm: The Beginning of the End of the Roman Republic, told Smithsonian magazine’s Lorraine Boissoneault in 2017.
“The ultimate consequences of allowing the Italians to become full Roman citizens was nothing. There were no consequences. Rome just became Italy and everybody thrived, and they only did it after this hugely destructive civil war that almost destroyed the republic right then and there.”
Pper Il Giornale del Molise, Roman forces soon recaptured the town and razed most of it to the ground, rebuilding the city as a Roman center.
As isNews reports, researchers identified the newly unearthed head as a portrait of Augustus based on his “swallow-tail” hairstyle: thick strands of hair that are divided and parted in a distinctive “V” or pincer shape.
In general, this portrait tracks closely with the Primaporta style of facial construction. Popularized around 20 B.C., this style became the dominant way of depicting Augustus in official portraits, according to the University of Cambridge. These statues’ smooth features and comma-shaped locks emphasized the ruler’s youth.
5,000-Year-Old Deer Carvings Discovered In A First for Scotland!
Lost for around 5,000 years, an amateur archaeologist has discovered deer carvings inside Kilmartin Glen’s Dunchraigaig Cairn in the west of Scotland. The Neolithic or Early Bronze Age carvings depict two male red deer with fully-grown antlers.
Two other deer carvings were also found, along with another engraving of an unidentified creature. Dr. Tertia Barnett, Principal Investigator for Scotland’s Rock Art Project at Historic Environment Scotland (HES) explained that until now it was thought that prehistoric animal carvings of this date “didn’t exist in Scotland.”
The 5,000-year-old deer carvings were discovered at Dunchraigaig Cairn in the west of Scotland.
Questing the Cups, Quizzing the Deer
The carvings were recently discovered inside Dunchraigaig Cairn by Hamish Fenton, an archaeology enthusiast visiting the area, who found the faint marks etched on the capstone of an Early Bronze Age burial cist .
HES explained that the illustrations represent “the first time that animal carvings of this date have been discovered in this area,” which was until now famous for its cup and ring marked stones .
The cairn measures 30 meters (98.4 ft) wide and includes three stone burial chambers, or cists. The deer were discovered carved in the third cist.
In an article published on the HES website, the archaeologists say the cist was “dug directly into the ground, lined with drystone cobbled walls and capped with an unusually large stone over 3.5 m (11.48 ft) long.”
The cairn was erected amidst a deeply-sacred landscape that was until now defined by cup and ring marked stones . The greatest mystery here is “why,” or maybe “how,” these two different art forms came to be used at one location, unlike any seen anywhere else at Neolithic and Early Bronze Age sites in the United Kingdom.
Cup and ring marked stones are composed of a central cup mark surrounded by pecked concentric circles. The original function or purpose of the stones has been a subject of much debate.
Many historians read them like star charts, while others maintain they are local maps. In the north of Scotland, where I am from, we tell folk that the cups were filled with oil and lit so that ships at sea, overland traders and shepherds could have safe passage at night.
You could almost say cup and ring marked stones are “ten a penny” in comparison to the recent extremely rare discovery of deer carvings.
In fact, so unexpected was this set of carvings that their emergence “completely changes the assumption that prehistoric rock art in Britain was mainly geometric and non-figurative,” explained the HES article when discussing the find.
“This was a completely amazing and unexpected find and, to me, discoveries like this are the real treasure of archaeology, helping to reshape our understanding of the past,” highlighted Fenton in the Independent.
Dr. Tertia Barnett from Scotland’s Rock Art Project called the discovery of deer animal carvings “very exciting.”
Digital Technology Peers 5,000 Years Back in Time
The reason the carved deer have gone unnoticed for 5,000 years is because there is almost nothing for the human eye to see. Hamish suspected the lines might represent something.
His intuition was only ascertained after a structured light scan was carried out by HES digital documentation experts. A detailed 3D model with photographic textures revealed anatomical detail that was way beyond the capabilities of the human eye.
Dr. Barnett has concluded that “ digital technology is becoming increasingly important for archaeology, and particularly for rock art, and is a key to unlocking the hidden secrets of our past.”
As part of Scotland’s Rock Art Project, HES have now recreated “1,000 3D models of prehistoric rock art which are now available online for people to explore.”
Photograph of the deer carvings discovered in Scotland.
The deer carvings depict two male red deer with fully-grown antlers, and three additional carvings.
Realigning the History of the Kilmartin Valley
What is being regarded as the most remarkable aspect of the carved deer at Dunchraigaig Cairn is the high level of anatomical detail, according to Dr. Barnett. But don’t for a moment think this was achieved because hunters gazed at their prey while it roasted over a glowing cave fire.
The anatomical detail results from the fact that our ancestors were most often up to their elbows in torn animal carcasses. Through repeatedly chopping, carving, slicing and stripping, ancient hunters became highly tuned to how the muscles and bones of deer worked, and this knowledge was projected into their rock art .
HES are most interested in the fact that Neolithic communities in Scotland carved animals as well as cup and ring motifs. While to find both types of art together is relatively common at Scandinavia and Iberia Neolithic sites, until now, none were known of in Britain.
With both types of carvings present at Kilmartin Glen, big questions arise pertaining to the relationship between these distinct types of carving and their significance to the people that created them.
This is What a Man from the Tomb of Sunken Skulls Looked Like
When archaeologists were excavating a dry prehistoric lake bed in Motala, Sweden in 2009, they stumbled upon one of the most peculiar archaeological discoveries the nation had seen – the so-called ‘Tomb of the Sunken Skulls’, a collection of skulls dating back 8,000 years, which had been mounted on stakes. Now one of these skulls has been reconstructed to reveal the image of a man who met his fate at the gruesome archaeological site.
The Tomb of the Sunken Skulls
The Tomb of the Sunken Skulls is located on the eastern shore of Lake Vättern in the south eastern corner of Sweden. In 2009, a new railway line was to be built over a site known as Kanaljorden, where there once was a shallow lake.
Before construction could commence, however, an excavation had to be conducted on the dry riverbed to determine if anything archaeologically important was buried beneath it. What the archaeologists found was a mysterious site dated back to Sweden’s Mesolithic period.
The Tomb of the Sunken Skulls is located on the eastern shore of Lake Vättern in Sweden.
Archaeologists were understandably surprised when they uncovered the skulls and skull fragments of up to 11 individuals, including men, women, children, and even infants.
Two of the human skulls –one fully intact and the other broken in half – were pierced with wooden stakes that protruded at the base of the cranium, while several others also showed signs that they had been treated in such a manner. Almost all of the adult skulls were jawless
The man behind the reconstruction is the forensic artist Oscar Nilsson, who has revealed the images of several other ancient people over the years. He explained the reasons behind many of his choices in reconstructing this man’s appearance.
For example, his wardrobe was based on faunal remains within the grave, “He wears the skin from a wild boar. We can see from how the human skulls and animal jaws were found that they clearly meant a big deal in their cultural and religious beliefs” Nilsson said.
The chalk design on the man’s chest, on the other hand, reflects the artist’s beliefs “It’s a reminder we cannot understand their aesthetic taste , just observe it,” he told LiveScience. “We have no reason to believe these people were less interested in their looks, and to express their individuality, than we are today.”
The reconstructed face of one of the skulls found at the Tomb of the Sunken Skulls in Sweden.
Rare Mesolithic Finds
The head of excavation for the Swedish heritage foundation Stiftelsen Kulturmiljövård Mälardalen, Fredrik Hallgren, said the skulls are the only known examples from the Mesolithic era . Hallgren also explained that most examples of this practice pertain to the historic period, in which colonial representatives mounted the skulls of murdered natives on wooden stakes.
Another interesting find was a female skull with another woman’s temporal bone stuffed inside it. Hallgren wonders whether the two women were close relatives, perhaps mother and daughter. The truth, however, will only be known through DNA analysis .
In addition to the skulls, archaeologists also found bones from other parts of the body, numerous animal bones, and tools made of stone, antler, and bone. The more noteworthy finds include a decorated pickaxe made from antler, bone points studded with flint, and animal remains that probably had a symbolic value to the people who used them.
The artifacts were found to be laid out on a large stone packing, which is a type of mass grave encased in stone. This grave was built at the bottom of the shallow lake.
Archaeologists at work in Motala.
What Happened at the Tomb of the Sunken Skulls?
One plausible explanation for this curious site is that it was a ritual site which was used for secondary burials. According to this explanation, after the bodies of the dead decomposed, their bones were removed from their graves to be reinterred. Part of the ritual would have involved the display of the skulls, which is the function of the wooden stakes that were found protruding from the skulls found at Kanaljorden.
The pointed end of the stake was probably stuck into the ground, or perhaps into a bed of embers, as some of the skulls have slight traces of burning. After the ritual was complete, the remains were buried under the shallow lake (hence the name ‘Tomb of Sunken Skulls’). According to Hallgren, there is at least one other Mesolithic site in Sweden that bears traces of this tradition.
Another suggestion is that the skulls belonged to enemies killed in combat. According to this hypothesis, skulls were mounted on wooden stakes and brought back by warriors as war trophies . Scientific analysis would be able to help archaeologists gain a greater understanding of these remains.
One of the mounted skulls found in Motala, Sweden.
Isotope analysis, for instance, would reveal whether the dead were from the local area or a distant place, while DNA analysis could inform whether the dead were related or not. So far, the researchers have obtained DNA data from six of the nine skulls and determined the skin , hair, and eye color of those individuals.
Based on isotope analysis, it seems that fish was an important part of the diet of the people buried at Kanaljorden. In addition, big forest game, such as red deer and elk, were hunted, based on the animal remains found at the site. Thus, it has been speculated that the society responsible for the burials at Kanaljorden were a nomadic people, and that the site was a sacred meeting spot.
For the most part of the year, the hunter-gatherers would be living in the surrounding areas, but they gathered at the rapids of the nearby river Motala for communal fishing of spawning fish. It is perhaps during this time of the year that marriages, feasting, and funerary rites were performed.
Artists Have Been Painting Inside This Spanish Cave for 58,000 Years
In 1821, an earthquake rocked southern Spain and, in the process, exposed the entrance to Cueva de Ardales, a previously hidden cave. Inside, more than 1,000 engravings and red paintings dotted its walls, ceilings, ground rocks and other natural features.
Archaeologists inside Cueva de Ardales
Archaeologists have long suspected that the cave’s artwork was very old, but now, they believe they have a much clearer picture of exactly when—and who—created it.
Neanderthals and, later, more modern humans left their artistic mark on the cave starting around 58,000 years ago, according to a new paper published this week in the journal PLOS One.
An international team of archaeologists explored Cueva de Ardales from 2011 to 2018, then used radiocarbon and uranium-thorium dating techniques to understand the cave’s history.
They believe Neanderthals first entered the cave during the Middle Paleolithic, or the middle part of the Stone Age, drawing on the walls and maintaining their tools inside.
After that, human visits to Cueva de Ardales ebbed and flowed all the way through to the late Neolithic/Chalcolithic period—the latter part of the Stone Age and the Copper Age—about 5,500 years ago,
Based on items archaeologists found within the cave, they also suspect it was used solely to create art and bury the dead—not as a shelter. This suggests that the site was highly symbolic to its visitors.
“What is very exciting is that, as far as we can tell so far, Ardales was not a classic camp site,” Gerd-Christian Weniger, an archaeologist at the University of Cologne and one of the paper’s authors, tells Gizmodo’s Isaac Schultz. “That was not clear before the excavations.”
Though they didn’t find any fireplaces or other evidence to suggest domestic occupation of the cavern, researchers did document a deer tooth, a wildcat bone, pieces of ocher, some tools and the jaw of a 12-year-old boy, among other artifacts.
They also found a rope fragment and charcoal dating back to the late 16th or early 17th century, which suggests that someone rappelled into the cave a few hundred years before the 1821 earthquake bared its entrance.
Artists made makeshift lamps out of capped stalagmites.
Natural light could not reach the cave’s innermost depths, so its prehistoric artists had to improvise to see what they were drawing. Researchers found charcoal residue in the caps of stalagmites near some artworks, suggesting the painters created makeshift lamps to illuminate their work area.
After the 19th-century earthquake, curious tourists wandered around inside Cueva de Ardales, located in Málaga, Spain, about 30 miles from the Mediterranean coast.
But it took nearly 100 years for researchers to realize the value of its archaeological riches. In 1918, French archaeologist Henri Breuil recognized that the artwork inside the cave was very old, likely dating to the Paleolithic period.
Despite this, archaeologists paid little attention to Cueva de Ardales until around 1990, when researchers took a full inventory of all the rock art in the cave.
Though this latest study shines more light on the mysterious cavern, there’s still an entire section that researchers have yet to investigate, per Gizmodo. Hopefully, there’s more art—and more insights into prehistoric humans, their ancestors and their creativity—to come.
Metal Detecting Event Uncovers Significant Roman Hoard in UK
A ‘significant hoard’ of Roman items discovered in England last year by an amateur detectorist has gone on display, much to the delight of history enthusiasts and archaeologists involved in the dig.
The discovery included a collection of pewter plates, platters, bowls, and a cup. The manner in which these vessels were buried strongly indicates that they were deliberately placed, possibly for the purpose of safekeeping or as an offering, according to experts.
Starting from now until January 2024, these remarkable artifacts can be enjoyed by the public at the West Stow Anglo-Saxon village, located near Bury St Edmunds in the form of a temporary exhibition, according to a press release by the Suffolk City Council .
This hoard has been traced to the late Roman period in Britain, towards the end of the 4th century AD.
Part of the hoard of Roman pewter found at Euston.
An Organized Metal Detecting Event, An Amateur To the Rescue
The uncovering of this hoard took place in September 2022 on the Duke of Grafton’s Euston estate, in Suffolk, England. Martin White, who was participating in an organized metal detecting event, stumbled upon this remarkable treasure.
Examining the Vessels: Plow Damage and the Late Roman Period
The vessels have endured heavy plow damage and advanced corrosion has fused several of them together, reports Arkeonews. The main stack contained five plates and platters nested on top of each other.
The main stack of pewter plates fused together due to corrosion.
It is worth noting that during the late Roman period , which is the era to which the vessels have been traced, Britain was a part of the vast Roman Empire , as aforementioned. This period extends from the momentous invasion led by Emperor Claudius in AD 43 until the early 5th century.
Councilor Melanie Vigo di Gallidoro, Suffolk County Council’s Deputy Cabinet Member for Protected Landscapes and Archaeology, said.
It is interesting to observe that, due to the hoard’s Roman origins and composition of pewter, it does not meet the criteria for classification as “Treasure” under the 1996 Treasure Act. Nonetheless, the historical and archaeological value of these artifacts remains undeniable.
Councilor Ian Shipp, also the Cabinet Member for Leisure and Culture at West Suffolk Council, provides concluding words of wisdom. He explained that it provides an entryway for the local people to also participate in the history and culture of their region, along with adding a new historical strand to the Roman story of colonization in this part of the world. This was a critical juncture before the settlement at West Stow was beginning.
Viking Burial, Sword, and Treasure Unearthed During Home Remodeling Excavation
Little did Oddbjørn Holum Heiland know what he would find when he embarked on a Friday night project, commencing excavation work behind his 1740 Setesdalshouse alongside his wife, Anne.
Long story short, the oblong top of a gravestone and the iron hilt of a sword, both related to the Viking Age, were discovered! The full significance of the discovery? A stunning Viking burial site that was completely unexplored.
Their plan was to extend the house, creating additional space in the rear. Speaking to Science in Norway over the phone from Setesdal in Southern Norway, Heiland mentioned, “I initially intended to do just a small amount of digging on the slope behind the house, to create some distance between the house and the surrounding land.” But what a can of worms was opened!
A Grave and a Sword: Surprising Finds
As Heiland removed the grass and topsoil, an oblong stone came into view. Paying little attention to it, he set it aside and continued digging. However, as the digging bucket penetrated the next layer—the moraine beneath the topsoil—a surprising iron object emerged.
Heiland recounted, “I looked at it and thought, ‘This looks a lot like a sword blade .’ And when I emptied the contents of the digging bucket, the hilt of a sword fell out.”
A rare to discovery of Viking sword and Viking graves. Expert and homeowners examine the find.
Suddenly, it dawned on Oddbjørn that the stone he had just uncovered might be a gravestone. Curiosity led him to conduct a brief online search, where he stumbled upon an almost identical sword from the Viking Age discovered in another region of the country some time ago. “That’s when I realized that this must be Viking-related,” he admitted.
Demonstrating commendable responsibility, Oddbjørn promptly ceased his excavation activities, safely stored the unearthed items, and wasted no time in contacting the county municipality on Monday morning.
In a swift response, county archaeologist Joakim Wintervoll from Agder County municipality and Jo-Simon Frøshaug Stokke from the Museum of Cultural History in Oslo arrived the following day to examine the remarkable find – it was their assessment that confirmed the profundity of the find.
(Right) Detail of the hilt, the handle of the sword, which reveals that this sword is from the Viking Age.
The sword’s construction provides archaeologists with valuable insights for dating the discovery. Comprising two sword fragments, the recovered pieces form a sword measuring 70 cm (27.5 in) in length, with a blade width of 5 cm (1.96 in) at its widest point.
The hilt, an item influenced by fashion trends, exhibits a style that places it around the late 800s to early 900s, reports Arkeonews.
Previous Digs and Other Finds at the Site
Oddbjørn and Anne Holum Heiland had sought approval for their house extension, considering they reside in a historical dwelling dating back to 1740. “Given the distance from other cultural heritage sites,” Wintervoll remarks, “we did not anticipate the likelihood of finding anything significant in that particular area.”
Furthermore, Anne’s parents had conducted excavations around the house in the 1970s. Thus, it appears purely coincidental that the grave site had remained undisturbed until now.
In addition to the sword and potential gravestone, the Setesdal grave yielded a lance—a long spear designed for mounted warfare. However, as of now, no further indications suggest that this is the burial site of a mounted warrior.
Gilded belt buckle and glass beads also among the finds in the Viking burial in Norway.
Other remarkable items discovered include gilded glass beads and a belt buckle . Notably, while placing the buckle in the designated museum box, a glimmer of gold caught their attention, leading to the belief that the buckle itself might be gilded. Lastly, a bronze brooch, featuring a typical Viking animal motif, was also found. These brooches were commonly used to fasten capes securely in place.
Gender and Age: Challenges and Politics of Viking Burials
Stokke further explains that collection of weapons and jewelry suggest it’s a site rather than a grave. Very few Vikings were wealthy enough to afford extravagant possessions like helmets and swords, despite what popular historical sentiment about them might feel like. This particular grave was clearly that of a person from a higher social status, with access to resources.
The jewelry was an indicator that the grave was that of a man, not a woman. Men appreciated luxurious possessions and it was not uncommon for men’s graves to yield jewelry.
As of now, it is difficult to indicate the gender and age of the deceased person’s age, due to decomposition of bones and other organic matter.
Exceptionally Preserved “Still Shining” Bronze Age Sword Unearthed in Bavaria
So well preserved “it almost still shines” is what archaeologists have termed the incredible find of a 3,000-year-old Bronze Age sword found in the town of Nördlingen, Bavaria in Germany.
This fortuitous discovery came to light during the excavation of a burial site containing the remains of a man, woman, and child. As of now, it is unclear whether the three individuals were related or interred in close succession.
3,000 years old, and Still Sharp
The sword’s excellent state of preservation has been a joy to behold for the archaeologists. Crafted from bronze, the weapon has an exquisite ornate octagonal hilt. This has acquired a greenish patina over time due to the oxidation of the copper present in the bronze alloy, according to a press statement from Bavarian State Office for Monument Protection.
The perfect sword was found in a burial, next to the remains of a man, woman, and child.
Bronze Age Metal Working
The Bronze Age in Western Europe is renowned for its advanced metallurgy and the skilled work of metallurgists, and this sword is a stunning example of this.
Metallurgy played a pivotal role in the development of societies and the advancement of technology. This era, which lasted from around 2500 BC to 800 BC, was characterized by the widespread use of bronze, a copper-based alloy, for the creation of tools, weapons, and other essential objects.
The two iron ‘ Hallstatt swords’ , which are about 2,800 years old, found in southern Germany. These were made during the historical transition from the Bronze Age to the Iron Age in central Europe, and were to take advantage of the strength of iron.
The slightly older Bronze age sword has some green tarnish due to its copper content, but otherwise every detail is preserved.
A Unique Design, a Lethal Weapon
The unique design is reflective of the expertise and artistry of its creator. Octagonal swords like this one were exclusively crafted by highly skilled blacksmiths.
The hilt, secured to the blade with two rivets using a technique known as overlay casting, exhibits remarkable craftsmanship. Surprisingly, despite its apparent functionality, the blade bears no visible signs of wear or cut marks, suggesting that it may have served a ceremonial or symbolic purpose.
The hilt of the Bronze Age sword is secured to the blade with rivets.
The dating of the sword places it from the end of the 14th century BC, making it especially significant from an archaeological point of view. The scarcity of sword findings from this particular time and region can be attributed to the looting of many Middle Bronze Age graves over the centuries.
In fact, most swords of this type only exist in the archaeological record from the 19th century AD onwards, when they were found in burial mounds. In the light of that, unearthing such a weapon has been particularly exciting.
Specifically, this type of sword appears in Central Europe in younger burial mounds from around 1450 BC onwards. The pommel plate is oval, which is typical, and the blade shows no sign of use. However, this does not discount the possibility that the sword could have functioned as an active weapon.
The sword was accompanied by arrow heads, one of which can be seen here.
With a well-balanced design having a center of gravity positioned towards the front end, it could be very effective in slashing opponents notes the Welt article. Combining aesthetic appeal and highly functional attributes truly makes this sword a lethal weapon!
Center of Manufacture: German Bronze Age
Although two regions in Germany—southern Germany and northern Germany/Denmark—are known to have been centers for manufacturing octagonal swords, the exact origin of this newfound weapon remains a mystery.
The sword is similar to the Bronze D type Rixheim swords as it uses a solid hilt made by overlay casting of the handle over the blade, even though it has been typecast as octagonal.
According to the report, a comparison of the casting techniques and the decoration shows that the octagonal swords in the north were apparently either replicas of southern German models or pieces actually imported.
Perhaps, ‘wandering craftsmen’ manufactured such swords and weapons in different places too, which is also a possibility. Another possible interpretation of the find is that warriors from the south had come to northern Germany.
Most of the Bronze Age remains around Nördlingen belong to the Urnfield Culture . It derived its name from the distinctive burial practice of cremating the deceased and placing their ashes in urns , which were then interred in burial mounds or fields.
It was often divided into several local cultures within a broader Urnfield tradition which emerged around 1300 BC. The Urnfield Culture superseded the previous Tumulus Culture and developed advanced metal working skills in Bronze weaponry and armor, reports Heritage Daily .
The material culture of the Urnfield culture is notable for its technological advancements, particularly in metalworking. Bronze continued to be a significant material, but the period also witnessed a gradual transition to the use of iron, hence its classification as a transitional culture between the Bronze Age and Iron Age.
The skilled metalworkers of the Urnfield culture produced a wide range of tools, weapons, and ornaments, showcasing their mastery of metallurgical techniques.
